I wrote an article for the Please Kill Me website on the “women’s music” scene of the ’70s and ’80s. You can read it here.
I wrote an article for the Please Kill Me website on one of the oddest stories from pop music history – the fake Fleetwood Mac. You can read it here.
My book Song Book has been nominated for the 2019 ARSC (Association for Recorded Sound Collections) Awards for Excellence in Research into the History of Recorded Sound. The award finalists will be announced in the fall.
Photographer Gitte Morten has started a blog titled One Kiss In Apple Blossom. It features women who are Kate Bush fans describing their favourite Kate song, and Gitte’s photographic response to them and the song.
Being a major Kate Bush fan, as soon as I heard this idea, I was all over it. However, Gitte lives in Somerset, England, and I am in British Columbia, Canada. Being about 4500 miles away made a photo session a bit of a challenge. But thanks to FaceTime and Gitte’s willingness to experiment with photographing a computer screen, she made it happen – and it was a great deal of fun. Here are the results, and my thoughts on Kate’s song “Lily”.
[originally appeared in Shindig! issue #86]
The late ‘60s and early ‘70s were a time of social unrest in the United States, and black Americans were a major part of the uprisings against systemic discrimination and inequality. While many black activists were challenging the societal norms that perpetuated racial oppression, they were also reclaiming pride in their own heritage – and producer and songwriter Teddy Vann was one of those activists. His ’73 single ‘Santa Claus Is A Black Man’, featuring his five-year-old daughter Akim, has been rightly described as “merging African-American empowerment with the spirit of the holiday”.
Vann was astoundingly prolific and multi-talented; although largely self-educated, he was Continue reading