I wrote an article for Please Kill Me on three notable (for different reasons) records made by professional wrestlers. You can read the article here.
Producer Ted Templeman, who has worked with dozens of artists – including Captain Beefheart, Van Morrison, the Doobie Brothers, and Van Halen – has finally written an autobiography. As you might guess, it’s wide-ranging and very interesting. I reviewed it for PopMatters; you can read the review here.
I wrote an article for the Please Kill Me website on the “women’s music” scene of the ’70s and ’80s. You can read it here.
I wrote an article for the Please Kill Me website on one of the oddest stories from pop music history – the fake Fleetwood Mac. You can read it here.
(originally appeared in Shindig! issue #77)
Ask a Canadian to describe the city of Edmonton, Alberta, and the two words you are likely to hear are “cold” and “boring”. Edmonton is the northernmost large city in North America, sitting on roughly the same latitude as Moscow – and, as your correspondent discovered while living there, Edmonton can indeed be cold. Very cold. Like “outdoor temperature of -35C and windchill” cold.
However, despite its nickname of “Deadmonton”, Edmonton is not boring. Its winters are long and dark, but many of its residents grew up in small Prairie towns where, if you were bored, you made your own fun. So when Edmontonians get an idea, instead of thinking of reasons why it won’t work, they figure out how to make it happen. That adventurous attitude of “hey, this could be fun” led to the ’72 album Procol Harum Live: In Concert with the Edmonton Symphony Orchestra – a significant milestone in Procol Harum’s career, and a huge influence on the city where it was recorded.
By the late ‘60s, the potential for crossovers between classical music and rock music had already been demonstrated by Continue reading