Producer Ted Templeman, who has worked with dozens of artists – including Captain Beefheart, Van Morrison, the Doobie Brothers, and Van Halen – has finally written an autobiography. As you might guess, it’s wide-ranging and very interesting. I reviewed it for PopMatters; you can read the review here.
I wrote an article for the Please Kill Me website on the “women’s music” scene of the ’70s and ’80s. You can read it here.
I wrote an article for the Please Kill Me website on one of the oddest stories from pop music history – the fake Fleetwood Mac. You can read it here.
[originally appeared in Shindig! issue #86]
The late ‘60s and early ‘70s were a time of social unrest in the United States, and black Americans were a major part of the uprisings against systemic discrimination and inequality. While many black activists were challenging the societal norms that perpetuated racial oppression, they were also reclaiming pride in their own heritage – and producer and songwriter Teddy Vann was one of those activists. His ’73 single ‘Santa Claus Is A Black Man’, featuring his five-year-old daughter Akim, has been rightly described as “merging African-American empowerment with the spirit of the holiday”.
Vann was astoundingly prolific and multi-talented; although largely self-educated, he was Continue reading
The book includes extended and updated versions of some of the Shindig! magazine articles posted on this site, along with previously unpublished material.
I’ll be posting updates and news about the book on Facebook and on the “Song Book – the book” page on this site. There’s also a YouTube channel for the book, featuring playlists of the songs that are discussed in the book, as well as a promotional video.
I hope you’ll check it out!